|

Classical Dance and Music
Indian
Classical Dance "..abstraction
of Upanishadic thought which is
assiduously translated in to
well designed concrete language
of artistic media."
It all started with Natya
Shastra
Said to be written 2000 years
ago by Bharata Muni, it is the
seminal source book for dancers
and performers. The mammoth book
covers all technical and
aesthetic aspects of the art of
the Indian Theatre and Dance.
From the purpose of natya,
to the architectural format,
stage rituals, Rasa, Bhava,
Abhinaya, gestic
communication, music, types of
instruments. 37 chapters that
together form the nucleus of
this fascinating performing art.
Later century works like
Abhinaya Darpana, Abhinaya
Chandrike, also have great
relevance to the dancer today.
Legend has it that the Devas
(Gods) had vanquished the
Asuras (Evil) and were
relating the happenings to
Brahma, the God of Creation. The
Asuras thought this was a
renewed attack and retaliated.
Brahma intervened - "This is
only a performance, hence forth
it will only be held on earth".
And Brahma passed on all the
information on Dance and Drama
to Bharata Muni who compiled it
as the Natya Shastra.
Sculpture Comes To Life
Temples were raised to the house
the Gods and became the focal
point for the community. They
also became centres of learning
and contributed to the
advancement of such arts as
sculpture, painting, music and
dance. Mostly built by Kings,
who were also the patrons of
arts, encouraging a continuity
and enriching rituals of
worship, the earliest basis of
the classical performing arts.
It was from the temple that the
Devdasi cult (Temple Dancers who
performed for the Lord) began.
Once a practice countrywide -
the Kulvantalu in Andhra
Pradesh, the Maibi in Manipur,
the Devdasi in Tamil Nadu and
the Mahari in Orissa, all trace
their roots to the temple. The
countless sculptures of dance
poses in the temples, hint at
the potency of dance as a path
to spiritual exaltation and lays
out a complete lexicon of dance
techniques.
For instance, it is said that
the greater part of vocabulary
of Odissi dance is preserved in
stone.
A rich heritage to be brought
alive by the artist.
|